Tag Archives: photojournalism

MU Director Leads Newsroom Management Workshops in Riyadh, Jeddah

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Media Unlimited director Magda Abu-Fadil trained Arab News journalists on the finer points of newsroom management at the paper’s Riyadh and Jeddah headquarters, with follow-up mentoring covering the Misk Global Forum in the Saudi Arabian capital.

Arab News headquarters in Riyadh

The workshops in November 2019 included the evolution of organizational charts from traditional to digital integrated multimedia newsrooms, issues of leadership, the importance of optimizing technology, and having IT people, designers, data visualization artists, infographics, photo, video and illustration teams alongside journalists and editors.

Magda Abu-Fadil with Arab News journalists in Riyadh

There was no escaping a requisite session on media ethics, notably in an era of alternative facts, deepfakes, disinformation, and the need for fact-checking in all newsrooms.

Journalists also learned about the importance of engagement with their audiences across various platforms. Almost each session had topic-related exercises.

Arab News Riyadh team being drilled on newsroom management

Abu-Fadil used a session on social media to focus on how apps can be optimized to gather and double-check information and why journalists should live blog and live tweet at major events or while covering breaking news.

There was a session on photojournalism and how newsrooms handle graphic images and videos, violence, death and hate speech.

 

Preparing to cover and mentor Arab News journalists at the Misk Global Forum

Not to be ignored is the importance of mobile journalism (MoJo), which Abu-Fadil stressed is a cornerstone of most newsrooms today, meaning reporters should be able to report, interview, write, shoot pictures and videos, edit their work and, if need be, upload the material to the newsroom, or directly to a live platform, if they’re qualified and authorized to do so.

Misk Global Forum in Riyadh, Saudi Arabia

The workshop sessions were interspersed with several informative and how-to videos to help the trainees better understand the material’s context.

There were reminders on writing headlines, leads, nut graphs, dealing with numbers, interviewing techniques and covering major events.

 

Arab News journalists in Jeddah beavering away at writing and editing exercises

Other topics covered during the training included gamification, how young people consume news and comics journalism.

MU Director On Media Ethics Using Refugee, Migrant Photos

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Choosing and publishing images of refugees, migrants and people in distress is both painful and difficult, notably when they’re graphic and reach various audiences across multiple media platforms in record time.

The image as symbol (courtesy “A Sea of Images”)

Weighty decisions may lead to photos becoming icons and symbols representing all other victims as that of Aylan Kurdi, the Syrian toddler lying face down on a Turkish beach in 2015 that went viral in just three hours.

Media Unlimited director Magda Abu-Fadil discussed the ethical implications and how such pictures can also be (mis)used by politicians to score points and advance their own agendas.

Magda Abu-Fadil (left) discusses the ethics of using photos of migrants, refugees (courtesy Tom Law)

The topic made for an animated discussion during “Movie Night” hosted by the Ethical Journalism Network (EJN)  at the December 2017 Arab Reporters for Investigative Journalism’s (ARIJ) annual conference in which she participated as a panelist.

The movie in question was “A Sea of Images,” a documentary on how media tackle migrants and refugees from the Middle East and Africa fleeing their troubled lands in a perilous journey across the Mediterranean Sea to Europe.

The film, produced by Misja Pekel and Maud van de Reijt, is part of a series for Dutch public television that examined the connection between media and public opinion.

How do editors decide what photos to publish? (courtesy A Sea of Images)

 Refugee fatigue, she argued in the discussion following the film’s showing, can affect journalists’ and editors’ judgment in their choice and dissemination of images, with ethics falling by the wayside.

 

Audience debates ethics of photo publishing (courtesy Tom Law)

Aidan White, veteran journalist and director of the Ethical Journalism Network, said three of the Aylan Kurdi pictures were published around the world, but photos could be used in different ways to tell different narratives.

“What that reveals, is that although the pictures are dramatic and important, in the end it’s the context in which the pictures are used by journalists,” White explained.

Aidan White on the ethical use of images (courtesy “A Sea of Images”)

The ethical use of images depicting migrants, refugees and vulnerable people in the media, and what impact they have on public policy, will continue to trigger debate so long as conflicts, economic and natural disasters cause massive population displacement.